Lisa Feldman Barrett’s How Emotions are Made challenged some of my initial understanding of how the brain works, emotions are formed, and how emotion becomes an experience.
Levin, a cosmologist who theorizes on the topology and geometry of the universe, and who advances the idea that the universe is finite, writes of the science behind relativity (general and special), black holes, string theory, and much more in the format of a diary.
Like with any of Thomas Pynchon’s novels, stick-to-itivness pays off in the end, rewarding a careful and conscientious reader with a bounty of literary delights.
If you’re not familiar with House of Leaves, then you basically need to know it’s a book about a critical review written by a blind man of a film that doesn’t exist, transcribed by a man who found the notes in a trunk in an abandoned apartment. The film is about a man whose house has within it, a pitch black labyrinth he then sets off to explore with colleagues and friends.
History is heredity is culture. History repeats itself because it's a genetic inheritance that deteriorates us as we try to push back against it. We try to correct it. In Belladonna, Daša Drndić uses her protagonist, Andreas Ban, a deteriorating retiree, to tell the history of Croatia; it's bloodied past, marred by fascism, antisemitism, and The Holocaust.
Clarice Lispector’s writing is the baroque epitome of modernist styling. The prose is poesy, and essentially resistant to interpretive work. It’s an arpeggiation of language where Lispector bends words to her will, with the image and feeling of the syntax as the most important factor in choice and placement rather than sparkling clarity.
Near to the Wild Heart is written in a smoky stream-of-consciousness telling the story of Joana from her precocious childhood into her adult life culminating in the discovery of her husband’s betrayal.
In Mrs. Caliban, Rachel Ingalls flexes verisimilitude like a fine muscle with tight, controlled prose that doesn’t let on to the wildness of what’s taking place on the page. Namely, that a Mrs. Caliban is having an affair with a six-foot tall frogman.
Roadside Picnic is a head above your run-of-the-mill pulp—it's surely still pulpy, but one that elevates itself in certain ways. The premise here is that alien life has visited Earth, though there has been no direct contact with the beings. In their wake, there are "Zones" where various alien artifacts, technology, and ephemera are scattered.
Heller set the tone of post-WW2 ironic fiction, creating a roadmap that only became deeper and more expansive as many clamored to employ their inspiration after reading Catch-22. I don’t think the significance of this book can be overstated when it comes to postmodern fiction. Reading it is like finding the source material to your favorite works; a missing link. The lineage of literary ancestry.
When Charles sets out on his Love-quest to discover the true nature of "Howard's" (H.P. Lovecraft) relationship with the teen-aged "Barlovius" (Barlow), it sets off a series of events that lead to his suicide. This is basically on page 2, by the way, so I haven't spoilt nothin’.
Surreal, dark, grimy, fetid, but some how quick and not at all taxing or overbearing nor overwrought, Titus Groan is a ripe contender to be adapted for TV or film, especially in these political times.
The idea of a transitory stage is age-old; the period setting is familiar to us Americans even in these 150 years separated from the Civil War—the war that still defines our national psyche, that tried to account for this nation's original sin. So it got me wondering, what can Saunders bring to fairly well-traveled terrain?
Read the first chapter of Tom LeClair’s Passing Away.
Pre-order is now live for Tom LeClair’s Passing Away.
As we're getting ready to release Tom LeClair's forthcoming Passing Away on October 1st, we took the time to sit down with Tom to talk about the new book, unreliable narrators, deception, and Keever's life after passing.
It is with great excitement that we announce the forthcoming release of Tom LeClair’s latest—and final—novel, Passing Away.
In Steve Erickson’s Tours of the Black Clock, history is ripped open by writer-protagonist Banning Jainlight who alters the regular course of time in his role as personal erotica-writer to Der Fuhrer by capturing the specular image of Hitler’s then-dead love obsession and niece Geli Raubal.
Anna Kavan's Ice is a dystopian sci-fi piece that has a darker commentary underpinning it about the hegemony of female-male relationships.
Lookout Cartridge by Joseph McElroy, like a cartridge itself, can only be deciphered for the screen behind our eyes once it has been inserted into our mechanistic, computer-brain to decode and process. The complexity and unique style of its prose, and how it "processes" layers of images will provide the reader with a steep challenge that rewards diligence with evocative scenes and a masterful use of language that mirrors cognition in ways before unimagined.