In Steve Erickson’s Tours of the Black Clock, history is ripped open by writer-protagonist Banning Jainlight who alters the regular course of time in his role as personal erotica-writer to Der Fuhrer by capturing the specular image of Hitler’s then-dead love obsession and niece Geli Raubal.
Anna Kavan's Ice is a dystopian sci-fi piece that has a darker commentary underpinning it about the hegemony of female-male relationships.
Lookout Cartridge by Joseph McElroy, like a cartridge itself, can only be deciphered for the screen behind our eyes once it has been inserted into our mechanistic, computer-brain to decode and process. The complexity and unique style of its prose, and how it "processes" layers of images will provide the reader with a steep challenge that rewards diligence with evocative scenes and a masterful use of language that mirrors cognition in ways before unimagined.
Drenched in Erickson's iconic, crepuscular prose, the dystopic vision he paints is rendered into subtle beauty where metaphor is the guiding principal for understanding everything.
Because of his piercing perception and futuristic thinking, PKD's relevance continues to swell as the years go on. We need more writers today like him.
In The Familiar, Volume Five: Redwood, MZD delivers one of the most direct, action-thrust entries so far in the living novel. Spanning the course of less than 24 hours, the first half of the book adopts the Rashomon technique of story-telling, letting several overlapping characters fill in the hazy spots of the surreal and supernatural events unfurling.
If you you're attracted to Greece and Athens, LeClair paints the life of the Greeks in a unique, non-Romanticized way that the West rarely sees, giving great insight into the culture and its tics. The book has prescience, too, into not only the Greek economic woes we've seen in the past decade, but the true threats of global warming, especially to a place like Greece so reliant on its booming tourism business--what happens when the beaches are gone?
The Familiar is a singular literary moment in the making that I am not so sure is getting the attention it deserves, so I’ll use my tiny little voice on this remote corner of the internet to profess to you its power. Before I speak directly about Volume 1: One Rainy Day in May, I’ll mention a bit about the series as a whole: I’ve said in other reviews of Vols. 3 & 4 (found on Goodreads) that The Familiar isn’t just a novel in serial, but the development of a whole mythology on par with the classics, codified in our unique 21st century world.
One problem with writing about Gravity's Rainbow is that a seminal book such as this has been written about endlessly for the past 44 years. I'm left only with my ability to articulate why challenging fiction is necessary and why it needs to be pursued if, as a civilization, we're to maintain our humanity.
I'm pretty interested lately in the intersection of genre and literary fiction because there's a burgeoning space for it. Literary writers giving great treatment to genre tropes, images, aesthetics, themes, motifs--the work of China Miévilleand Mark Z Danielewski's The Familiar series would be the best examples of contemporary writers doing it now. There's a rich history of it, and genre can be great and informative when done beautifully.
If you're unfamiliar with this site, you may be wondering a whole host of things: Where am I? What is Waxing Press? What is An Accidental Profession? Why should I read this book? I write books, should I submit my book to Waxing Press? So, to answer most of those questions, I'd like to answer a bigger one: why did we choose An Accidental Profession to inaugurate Waxing Press and set us out into this world? It's an easy one.